In the Aztec world, skeletal imagery was a symbol of fertility, health and abundance, alluding to the close symbolic links between death and life. The thugs in the alley, the shakedown at the Hourglass and. He was not the only Aztec god to be depicted in this fashion, as numerous other deities had skulls for heads or else wore clothing or decorations that incorporated bones and skulls. Then everything hit him like a ton of was all connected, all of it. His headdress was shown decorated with owl feathers and paper banners, and he wore a necklace of human eyeballs, while his earspools were made from human bones. Although his head was typically a skull, his eye sockets did contain eyeballs. Mictlantecuhtli was depicted as a blood-spattered skeleton or a person wearing a toothy skull. Mictlantecuhtli was associated with spiders, owls, bats, the eleventh hour and the northern compass direction, known as Mictlampa, the region of death. His wife was Mictecacihuatl, and together they were said to dwell in a windowless house in Mictlan. The worship of Mictlantecuhtli sometimes involved ritual cannibalism, with human flesh being consumed in and around the temple. He was one of the principal gods of the Aztecs and was the most prominent of several gods and goddesses of death and the underworld. Grim Reaper and Hourglass Tattoos Life and death tattoos, such as the Grim Reaper depicted alongside an hourglass, signify the relentless passage of time and the inescapable eventuality of death. art back ink death depiction grim reaper OOZY painting scythe. In the Aztec mythology Mictlantecuhtli was a god of the dead and the king of Mictlan (Chicunauhmictlan), the lowest and northernmost section of the underworld. The grim reaper as a skeleton wielding a scythe, back piece by OOZY.
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